Wednesday, 14 September 2016

WIP Going Into Storage

After having a crisis of faith in a bundle I pulled years ago, I reworked and went ahead to make the pattern, using the FREE tutorial for the Squares and Strips Bed Quilt put together by Cluck Cluck Sew.

The pattern itself is fantastic. Like all patterns by Cluck Cluck Sew, it designed to look more complicated than it is and the top comes together very quickly. The only blip I had on my radar was that I really needed my fat quarters to be 21" tall and they were not. As in, all but 3 of my 12 fat quarters were too short. What the heck is that about?
Too short meant I had to do some improv.
And I got the blocks made in no time and I put the top together and...
Orange, turquoise and teal in real life.
...I don't dig it. It's okay. The pattern is great. It isn't ugly, I don't think, but it just isn't me. Despite the use of many fabrics I love. Despite that fact that turquoise and teal are so my thing. I just don't really like this quilt top. It is intended for someone in my family, and I will finish it, but nothing in my stash works for the backing and I just don't have the heart to work on it anymore. This is the first time ever, I think, that I'm putting a finished quilt top away in the closet and shrugging my shoulders over getting it done. It can stay a WIP longer. My heart just isn't in it.

Which taught me a lesson. I had some other bundles I put together ages ago, with fabric I probably would not buy now. And seeing how this top turned out and how I just don't love it, I'm breaking up those bundles and putting the fat quarters I like back on the shelf and the rest in the "Maybe someone else will like these fabrics" box in my closet.

Like this penguin bundle here. No idea what possessed me. I might fussy cut a penguin or two, though.
It is those beiges that kill me. Just no.
And for a long time I was planning to make a rainbow circus sort of quilt. I built up this combination over many shop hops:
But no. Too much. Too bright. No. I don't want to make this quilt.
Do you have any bundles languishing somewhere in your stash? I have more that I haven't reviewed yet that are going to get a hard look very soon. Why make things you don't love?

Monday, 12 September 2016

Halloween Treat Bag: Playing with the Pattern

I, like many people, enjoy Pinterest. My sewing boards are rather robust. And while I pin many things, I definitely don't get around to trying them all that often. However I knew that I had a pin for a Halloween bag by Ellison Lane, and after picking up some ADORABLE (mostly Cotton+Steel) Halloween novelty fabrics at Pink Castle Fabrics I knew I wanted to make my girls some trick or treating bags.
The second from the bottom are Lizzy House ghosts but the rest are from Cotton+Steel's collaborative Boo! line.
The things was, when I actually started using the pattern (one that many people had commented on and many people had pinned) there was a MAJOR error in the cutting instructions. (The dimensions for the batting were way off!) And then the instructions for the handles seemed waaaaaaay more complicated than they needed to be. So I made up the handles.
Folded them in half and pressed well.

I then pressed the edges in about 1/4" and put a piece of batting in the middle to make the handles cushier.

I sewed down each side and once down the centre to give it some strength and because it looks pretty.

This is the first bag, for my youngest.

Ghost lining=awesome. The french seams are a nice part of this pattern.
BUT I knew what I wanted to change for my second. The measurements were just a little tight for my liking since things tend to shift when you quilt them. And I wanted to be able to see more of the accent fabric on the bottom. I suggest you cut your main outside fabric at  14" x 13" and the accent at 14" x 3.5" so you can see more of the accent. I also found that I didn't like the look of contrasting thread on the binding around the top of the first one so I used one that blended in the second one. And, as I said, no need to go the insane route for the handles that are in the tutorial. 

Thank goodness I made the size larger because look what happened on the lining of one of the sides of the bag when I was quilting the second one! Instead of this being a disaster I had enough wiggle room to trim it and no harm was done!
I said bad words when I saw this.
The end result was super awesome and my older daughter absolutely loves it (and she's not easily impressed). There's something particularly satisfying about making useful things for your children that will become part of their childhood experiences. I highly recommend putting a quilt aside and putting together one of these bags!
Bag #2

Friday, 9 September 2016

Sew Together For A Friend

After completing my first Sew Together Bag, I knew I would be making several more, including for myself. When quilty and bloggy friend Jenn at A Quarter Inch from the Edge commented on my Instagram picture that she sure wished I would make her one, I knew I needed to move hers up my priority list. Considering she has some significant changes in her life right now I thought a Sew Together Bag would be a nice reminder that the world is a wonderful place.

I selected fabrics I love because we have very similar tastes. I knew this Carolyn Friedlander print would be perfect for the lining, and the Lizzy House Mini Pearl Bracelets, Alison Glass and Heather Bailey all worked really well with the outer fabric, a Washi print that I think Jenn commented she loved about three(?) years ago.
This stage is always so satisfying!
Here is the finished bag:
Isn't that a fun print? And an Alison Glass for the binding too. I'm running low on those arrows and will be sad when they're all gone.

Look at all those pockets!
I really need to prioritize my Sew Together bag next!
The end result was a bag that surprised her and that she loved. Well worth the effort to both construct it and pick the perfect fabrics for her.

Now if only I could find even five minutes to sew these days...

Friday, 19 August 2016

In the Garden: A Finished Quilt

One of my husband's aunts is turning 65 this year. She is a kind, generous and very humble person and has never asked for a thing in the 15+ years I have known her. But two years ago she hinted that she was going to be turning 65 and she sure does love my quilts....

Well how could I say no to that? I asked her for colours and she said "brown and earthy." I hate those colours. Yuck. And I have to love the fabric to love making the quilt. So I found the perfect Lewis & Irene print for my starting point and then went with it. This unusual colour combo is the result and I really love it!

Here is In the Garden:
I still am not sure if the flying geese look better up or down. The recipient can decide!

I love how the small flying geese look next to the big ones.

I did lots of straight line quilting at random places to add some texture to the quilt overall (as well as secure all those geese!) This picture also gives you a good shot of the Lewis & Irene print that started the whole thing!

There are a few playful details like this mouse block which is a bit of whimsy, perfect for the whimsical recipient.
The binding is Carolyn Friedlander in this lovely dark shade of brown.
The back is my go-to Lizzy House Pearl Bracelets in chocolate. I didn't even try to match up the pattern. I went with all one fabric this time because I specifically ordered this from a clearance sale at Pink Castle Fabrics and since brown is NOT my thing I didn't want too much left over!
I used white Aurafil for all the quilting and I like how it adds subtle texture and interest on the reverse of the quilt as well.
I will not be seeing this aunt until (Canadian) Thanksgiving, which is two weeks after her birthday. My mother-in-law saw the quilt and is sure that the aunt will absolutely love it. I hope so because I sure love it!

Sunday, 14 August 2016

Midnight at the Museum: A Finished Quilt

I have wanted to make a triangle quilt for a very long time. I bought a 60 degree ruler for this purpose but never seemed to have the right project. Then when I did this pull for a five-year-old who is in my close group of friends, the idea of triangles seemed just right.

Now. The ruler is awesome. And the quilt is awesome. But I did not read the directions about how to assemble the rows and that bit me in the butt. EVERY SINGLE POINT was cut off when I assembled the rows. It was entirely user error. There is a tricky way to put them together so this doesn't happen but I didn't bother to check that until after all my rows were all assembled. My friend A suggested I call it an artistic choice. I voted yes! (Now WAY was I ripping out every single row!)

The end result is still adorable and the error is probably most noticeable to me. The quilting helped to fix the illusion a bit so overall I'm very happy with the end result.

Here is Midnight at the Museum:
I totally love how these prints work together. The pops of lime green really make it for me.

Though most of the prints are from Lizzy House Natural History or Pearl Bracelets, there is also the only Cookie Book print from C+S that I like, some Herringbone and a few other navys that are from my stash. Don't they play nicely together?

I used the blue Mini Pearl Bracelets that is the majority of the backing for the binding too.

I had more than enough of the mini Pearl Bracelets to do it in all one print but I so much prefer to have a pieced back. I had a strip of this beautiful print from the elephant quilt I made my new nephew and couldn't resist adding it.

Doesn't this add more interest and fun?

I did angular straight line quilting and I love how it looks on the back (and the front) where the lines intersect!
The quilt's colour scheme and overall look both delight me and I definitely want to try another triangle quilt in the future...but this time following the instructions!

Sunday, 31 July 2016

When Love Wanes

Ages ago I put together a bundle of oranges and turquoises and set it aside to make a Squares and Strips quilt. Every year it seems to make it to my "To do" list but I never get to it and I was starting to wonder why. Why was I not excited? 

I pulled out the bundle, to which I've added a couple of prints over the years, and contemplated. Once you pull fabric for a project, if that love wanes and you no longer are inspired, should you keep it in the to do pile? I decided to look at it carefully, draw it out in my sketch book, and if it still wasn't speaking to me then I would abandon it. I've learned the hard way that if I am not loving the fabrics, then the quilt itself will feel like labour instead of pleasure.
Here is the bundle.
I drew it up in my sketch book and started to fill it in. And something clicked for me. There was too much of just two colours. When I started adding more teal to the mix, like that one on the far left of that top picture, there was more depth to the quilt and more interest. And, most importantly, I was more excited.
Sometimes sketching it out helps!
So then I went into my stash and update the bundle a bit and I was much happier.
Doesn't teal make it so much better?
And then that yellow-y orange was bothering me so I pulled it, added a Lizzy House print (of course) and now I'm happy and wanting to work with it again!
Here is the new pull. This is something I could see being worth working with!
Have you had that happen? Put together a fabric pull and then had your love wane? Did you stick with it or is your less-than-loved bundle still sitting on a shelf somewhere?

Friday, 29 July 2016

Glisten: A Finished Quilt

A co-worker is expecting her first child this coming December and she is very excited. They are having a baby girl and when I inquired about the colours of the nursery Mom still hadn't decided, but all options involved grey. This lovely woman has endured many health challenges to get to this point and I'm so thrilled for her. Obviously Baby Girl needs a quilt!

I pulled the turquoise colourway of the last of my Violet Craft Brambleberry Ridge out of my stash and then hunted around for some additional prints. The gold in this fabric is subtle and classy (like the mom!) so I knew it was a good fit but I wasn't sure if anything would go with it. Ultimately I added in a sweet Lizzy House Diamond print, a Denise Schmidt print from ages ago and then two unusual greys that also have gold from Carolyn Friedlander's Carkai line that was recently released. I also pulled out a half yard of Katarina Rochelle's Imprint fabric for Art Gallery Fabrics. After a consult (Thanks C and A!) I decided that it provided that visual break that I would normally use Kona White for, so I went for it.

Here is Glisten, named because the mix of soft blues and gold remind me of a pond glistening in the early morning light with a bit of early morning fog softening everything:

Simple patchwork seemed to make sense for this project, and I'm glad I didn't overthink it.
 There is one Brambleberry Ridge print that has just a hint of pink from some roses. I think it adds a little bit of interest. I echoed that by having a mostly grey and turquoise binding with a hint of pink in the corner! (Can you see it?)
I echo straightline quilted it on the sides of each seam.
 The back was a long-ago acquired Art Gallery print that never had just the right purpose until this quilt. It was just a tiny bit too short so I added a strip of that sweet grey low volume swirl (I think it is very old Rashida Coleman Hale? Pre-Cotton+Steel?)
Feminine but not too baby-ish.
Though baby isn't due until December I knew this quilt had to be made this summer because my September-June promises to be really busy!

I hope she really loves this quilt and that the long desired and already cherished baby girl spends some tummy time enjoying Glisten!